I specialise in live productions operations where creative ambition meets technical complexity, spanning across circus, immersive theatre and small to large-scale festival environments.

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With a background in aerial performance, automation systems, and production management, I bring a unique  combination of technical knowledge, creative and practical understanding of how shows actually run — not just how they’re designed. Having been both performer, and aerial technician, I know what happens and how it feels on and off stage, and how to connect the two. This allows me to support teams in delivering work that is both creatively strong and operationally sound.

 

I have supported high-risk, large-scale shows including The Greatest Showman – Come Alive, as well as project managing roles in major UK festivals such as Glastonbury Festival and Boomtown Fair. I can create better organisational systems and the result is ongoing clearer communication amongst teams and departments.

 

I understand what production chaos can look like and know how to organise it!​​​​ 

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My work bridges the gap between creative vision and operational delivery — ensuring productions are safe, efficient, and can be executed to a high standard.